Blare is rooted in the desire to cross artistic disciplines and the desire to establish a context conducive to the meeting of cultural universes. Also, it is around the musical work of Vivaldi that the directors Jérémy Tran & Robin Pogorzelski decided to unite their universes to open up the fields of possibilities and mix genres.

Through the Blare dance video, it is above all a question of approaching social dance and more particularly Hip-Hop dance as a language, as a ritual, as a unifying element and finally as a means of emancipation; in order to capture through it the essence of street-culture for the confrontator and to hybridize it with other artistic languages ​​such as contemporary dance, cinematographic production and classical music.

His artistic and professional career was built through hybrid and multidisciplinary projects and collaborations, at the confluence of dance, performance, photography and video. Through creation, Jérémy Tran attempts to capture, amplify and transform the energy and presence of the body — based on choreographic and cinematographic research — in order to reveal its essences and instincts.

After starting classical dance at the age of 8, Jérémy Tran, student at the Conservatoire Régional de Lille, decided in 2009 to move towards contemporary dance. It is strong these years and the rewards obtained — triple gold medalist at the French National Confederation of Dance — he joined in 2010 the Conservatoire National Supérieur Musique et Danse de Lyon. In 2014, he obtained the National Superior Professional Dancer Diploma, the ADAMI scholarship and the Talent prodij trophy from the city of Lyon. He directed many short films, including Artificial Landscapes, gathering 140 people, which he presented in September 2014 at the International Lyon Dance Biennale, and Dissection of the 60secondsdance Denmark international festival.

In 2015 he was selected to participate as a videographer and performer at the Watermill Center Summer Program in New York and work under the direction of director Robert Wilson. He also choreographed the performance Lagune for 6 dancers and a marionnetist, in collaboration with the visual artist Denis Savary on the occasion of the centenary of the DADA.

In 2016, he obtained the Master 2 Development of International Artistic and Cultural Projects (with highest honors) from the Université Lumière Lyon 2, in which he wrote a dissertation on The participations of amateur artists in the creations of the world of dance: the impacts and issues related to these interpreters.

After having worked as a project monitoring officer at the Centre National de Lyon, he continued his training by integrating the École Normale Supérieure de Lyon in Project Management in Information Architecture and at the same time held the position of Project Manager/Administration in an art production office in Lyon.

In 2018, he created his company and became artistic director and freelance artist, specialized in dance and video production. He is also admitted for the oral exams of the selection contest for residents of the Académie de France in Rome - Villa Medici, which take place at the Ecole Nationale Supérieure des Beaux-Arts in Paris.

Today Jérémy Tran participates both as a professor, choreographer-director, at the Conservatoire National Supérieur Musique et Danse de Lyon and CinéFabrique - National School of Cinema to deal with the articulation between choreographic and cinematographic language, and ardently pursues the design of new hybrid projects.

He devotes himself to creating a choreographic piece, What is left for us, that will be presented and performed in June 2020 by the Ballet of the Grand Théâtre de Genève.

His artistic and professional career was built through hybrid and multidisciplinary projects and collaborations, at the confluence of dance, performance, photography and video. Through creation, Jérémy Tran attempts to capture, amplify and transform the energy and presence of the body — based on choreographic and cinematographic research — in order to reveal its essences and instincts.

After starting classical dance at the age of 8, Jérémy Tran, student at the Conservatoire Régional de Lille, decided in 2009 to move towards contemporary dance. It is strong these years and the rewards obtained — triple gold medalist at the French National Confederation of Dance — he joined in 2010 the Conservatoire National Supérieur Musique et Danse de Lyon. In 2014, he obtained the National Superior Professional Dancer Diploma, the ADAMI scholarship and the Talent prodij trophy from the city of Lyon. He directed many short films, including Artificial Landscapes, gathering 140 people, which he presented in September 2014 at the International Lyon Dance Biennale, and Dissection of the 60secondsdance Denmark international festival.

In 2015 he was selected to participate as a videographer and performer at the Watermill Center Summer Program in New York and work under the direction of director Robert Wilson. He also choreographed the performance Lagune for 6 dancers and a marionnetist, in collaboration with the visual artist Denis Savary on the occasion of the centenary of the DADA.

In 2016, he obtained the Master 2 Development of International Artistic and Cultural Projects (with highest honors) from the Université Lumière Lyon 2, in which he wrote a dissertation on The participations of amateur artists in the creations of the world of dance: the impacts and issues related to these interpreters.

After having worked as a project monitoring officer at the Centre National de Lyon, he continued his training by integrating the École Normale Supérieure de Lyon in Project Management in Information Architecture and at the same time held the position of Project Manager/Administration in an art production office in Lyon.

In 2018, he created his company and became artistic director and freelance artist, specialized in dance and video production. He is also admitted for the oral exams of the selection contest for residents of the Académie de France in Rome - Villa Medici, which take place at the Ecole Nationale Supérieure des Beaux-Arts in Paris.

Today Jérémy Tran participates both as a professor, choreographer-director, at the Conservatoire National Supérieur Musique et Danse de Lyon and CinéFabrique - National School of Cinema to deal with the articulation between choreographic and cinematographic language, and ardently pursues the design of new hybrid projects.

He devotes himself to creating a choreographic piece, What is left for us, that will be presented and performed in June 2020 by the Ballet of the Grand Théâtre de Genève.

Block 8 is an audiovisual creation agency. Innovative in corporate film, advertising, fiction, clip or documentary, Block 8 favors a cinema aesthetic for each project.
From idea to post-production, the Block8 team masters each stage of audiovisual production, as well as the latest image and sound technologies. Their directors and technicians put their experience and talent at the service of any type of service: screenplay, location scouting, casting, storyboard, filming, studio, motion-design, editing, VFX, calibration, sound recording, sound-design, musical composition, mixing, subtitling, graphics, DCP.