Retrospective : 2013 [EN]
30 ans de danse2018 - Director : Meinsohn, Bérénice
Choreographer(s) : Vo-Dinh, Emmanuelle (France) Lebrun, Thomas (France) Attou, Kader (France) Rizzo, Christian (France)
Present in collection(s): Maison de la danse , Numeridanse , 30 ans danse - Version Anglaise
Retrospective : 2013 [EN]
30 ans de danse2018 - Director : Meinsohn, Bérénice
Choreographer(s) : Vo-Dinh, Emmanuelle (France) Lebrun, Thomas (France) Attou, Kader (France) Rizzo, Christian (France)
Present in collection(s): Maison de la danse , Numeridanse , 30 ans danse - Version Anglaise
Retrospective: 2013
On the occasion of the 30th anniversary of the National Choreographic Centers, 30 pastilles which evoke, through an archival montage, the history of the NCCs, choreographers and dance in France over the past 30 years have been created.
Focus on the year 2013 and the productions of Emmanuelle Vo Dinh, Thomas Lebrun, Kader Attou, Christian Rizzo
Vo-Dinh, Emmanuelle
The choreographer Emmanuelle Vo-Dinh explains how her creative choreographic process comes from specific detailed research and structures, which are reset for each new piece. The clear lines underlying all her work are nonetheless visible.
Research by the neurologist Antonio Damasio, about the importance of emotion – inspired her iconic early works Texture/solo and Texture/Composite. Sagen delves into the “anti”-psychiatry of Jean Oury, which deals with schizophrenia. Theses by Françoise Héritier on the masculine/ feminine inspired -transire- and -insight- (2010, 2013). The complex density of these themes facilitate and sharpen the exploration of the dancers’ bodies.
Emmanuelle Vo-Dinh is also interested in repetitive minimalism, notably in CROISÉES, White light, Ici/Per.For – 2005, 2006, exploring play in Aboli Bibelot… Rebondi (2008), and exploring it further in Sprint (2013). She chose to create with important musical works by Zeena Parkins, Dusapin, Grisey; and also explores the visual arts. Her recent works are somewhat more theatrical: Tombouctou déjà-vu (Avignon, 2015), Belles et bois (2016), Cocagne (2018), La forêt de glace (the ice forest) (2020) and Attractions (2021).
Her exhaustive movement vocabulary is constantly challenging established ideas about meanings and senses.
Since the launch of her company in 1997, she has created over twenty pieces, which have notably been presented at the Théâtre de la Ville in Paris, the Avignon festival (69th edition) and Chaillot National theater for Dance, as well as in different countries and continents in Europe, Africa, North America, Asia…
Emmanuelle Vo-Dinh has been the Director of Le Phare, Centre chorégraphique national of Le Havre Normandie from 2012 to 2021. She was the president of the french National choreographic Centers from 2013 to 2017.
She has been appointed Chevalier de l’ordre des arts et des lettres in 2014.
Source : CCNR
Lebrun, Thomas
Thomas Lebrun has danced for Bernard Glandier, Daniel Larrieu, Christine Bastin, Christine Jouve and Pascal Montrouge, and founded the Illico company in 1998, after composing the solo “Cache Ta Joie!“. Based in the Nord-Pas-de-Calais region of France, he was first of all an associated artist at Vivat, Armentières (2003-2005) before taking on a similar role in 2006 at Danse à Lille CDC (Centre for Choreographic Development). “On prendra bien le temps d'y être”, “(La) Trêves” “Les Soirées What You Want?”, “Switch”, “Itinéraire d'un danseur grassouillet” and now “La Constellation Consternée” are all works that are also aesthetic worlds which are explored, allying demanding and precise dance with an assertive theatricality.
Thomas Lebrun has also composed a number of pieces in collaboration, notably with the Swiss choreographer Foofwa d'Imobilité (“Le Show” / “Un Twomen Show”) and the French choreographer Cécile Loyer (Que tál!), and makes training and teaching a priority. She teaches at the CND (National Dance Centre) in Pantin and Lyon, Ménagerie de Verre, La Rochelle Conservatoire, Balletéatro de Porto, etc.
He has also choreographed for foreign companies, such as the Liaonning National Ballet in China, Grupo Tapias in Brazil (a solo and, in 2009, a quintet for the Year of France in Brazil) and for Loreta Juodkaité, the Lithuanian dancer
in the 2009 edition of the New Baltic Dance Festival in Vilnius et for FranceDanse Vilnius managed by CulturesFrance (Vilnius, European cultural capital 2009).
In 2012, Thomas Lebrun becomes the new artistic director for the Centre chorégraphique national de Tours.
Further information
Last update : May 2011
Attou, Kader
Kader Attou is a dancer and choreographer from the company Accrorap. Athina, in 1994, marked the beginnings of the company set up with Mourad Merzouki, Eric Mezino and Chaouki Saïd, in Lyon. This show is a success that manages to transpose hip hop dance from the streets to the stage. Alone, he then created Prière pour un fou (1999) to renew the dialogue that the Algerian tragedy made improbable.
Douar (2004), conceived within the framework of the year of Algeria in France, questions the problems of the exile of young people from the districts of France and Algeria. Petites histoire.com (2008) recounts popular France based on burlesque sketches. In 2008, Kader Attou was appointed director of the National Choreographic Center of La Rochelle, thus becoming the first hip hop choreographer to head an institution. In 2018, he reunited with his early partner, Mourad Merzouki, with whom he created Danser Casa for the Montpellier Danse Festival. In 2019, he resumed a version for the street of The Roots with the dancers of the N.I.D. Epsedanse by Anne-Marie Porras for the Montpellier Dance Festival. Since 2022, he has settled in the Friche la Belle de Mai in Marseille.
Source: Montpellier danse
Rizzo, Christian
Christian Rizzo was born in 1965 in Cannes. His artistic career began in Toulouse, where he started a rock band and designed a line of clothing, after which he studied fine arts at the Villa d'Arson in Nice, then unexpectedly branched out into dance.
In the 90s he performed with a number of contemporary choreographers including mathilde monnier, herve robbe, mark tompkins and georges appaix, and sometimes created soundtracks and costumes for them as well.
He also worked with choreographers with a different artistic approach, such as vera mantero, catherine contour, emmanuelle huynh and rachid ouramdane.
In 1996 he founded l'association fragile and began presenting events, dancing objects, solos and group pieces, as well as various projects and commissioned work in fashion and the visual arts.
Since then, over thirty projects have borne fruit, not counting his pedagogical activities. Christian rizzo teaches on a regular basis in art schools in France and abroad, as well as in establishments devoted to contemporary dance.
On January 1st, 2015, Christian Rizzo takes the lead of the National Choreographic Center of Montpellier. Now called ICI (International Choreographic Institute), the CCN offers a transversal vision of creation, training, artistic education and openness to the public.
Source : Website of ICI, CCN of Montpellier
More information :
Meinsohn, Bérénice
Auteur, réalisatrice & monteuse.
Ma démarche artistique est axée sur le réel et son détournement, avec une fascination pour les archives et les acteurs.
Après avoir signé une série sur de faux entretiens d’embauche pour des métiers insolites, j’ai poursuivi avec des court-métrages docu-fiction qui ont suscité l’intérêt du milieu publicitaire. Je me suis donc mise à réaliser des réclames pour la toile.
Actuellement je me concentre sur l’écriture et la mise en scène avec des acteurs professionnels ou non, ainsi que le cinéma du réel dans des formes très courtes.
Je travaille avec des acteurs culturels et des ONG.
Source : Site de Bérénice Meinsohn
En savoir plus : meinsohn.film
Retrospective : 1984 - 2018
Artistic direction / Conception : Julie Charrier (production et direction artistique), Laurent Duret (production et idée originale), Bérénice Meinsohn (montage et réalisation), Christophe Parre (chef de projet)
Artistic direction assistance / Conception : Jérémy Aubert
Artistic consultancy / Dramaturgy : Céline Roux (conseillère historique et recherche archives)
Text : Sabine Glon
Additionnal music : Charlie Adamopoulos
Other collaborations : Hortense Volle (voix)
Production / Coproduction of the video work : L’Association des Centres Chorégraphiques Nationaux Le Ministère de la Culture et de la Communication / Direction Générale de la Création Artistique La SACD et copie privée avec la participation du Centre National de la Cinématographie et de l’image animée Et en partenariat avec Le Théâtre National de Chaillot Les Inrocks www.numeridanse.tv La Gaïté Lyrique
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