Skip to main content
Back to search
  • Add to playlist

Cutting Flat

Abou Lagraa constructs his dance with and for his 10 dancers. The scene he proposes is architecture, which Is as physical as it is mental. Marks on the ground, lines, partition walls and mirrors both mark boundaries and create a space for the 10 performers to cohabitate. The dance articulates the affirmation of each dancer's identity, the meetings and the games of amorous seduction, the ever-present desire to be together, to belong to the group, but also the butting up against the differences of the other, of the others. It is a game of sharing, of communing as much as it is an affirmation of individualities. The only windows in this space are the images, which are projected or reflected by the mirrors. They duplicate the faces and the identities of the dancers. This piece, which began in Tunisia, then was re-worked in Annecy, is imbued with the marks of this voyage, Eastern accents rub up against the rigor of the choreographic construction. The energy developed in this dance is frictional, produced as much by that which unites as by that which divides the bodies and the groups.


Source : La Baraka


More information : https://www.aboulagraa.fr/ 

Lagraa, Abou

Born in Annonay, Abou Lagraa began dancing at the age of 16 before entering the Conservatoire National Supérieur de Musique et de Danse, Lyon. He began his career as a dancer at the S.O.A.P. Dance Theatre, Frankfurt with Rui Horta and became his assistant on a project at the Calouste Gulbenkian Centre, Lisbon. He was soon noticed and went on to work with Robert Poole, Denis Plassard and Lionel Hoche. His qualities as a performer have been rewarded twice:  in 1998 by the 2nd Prize for performance at the Paris International Dance Competition, then in 2009 by the prize for Best Male Dancer, awarded by the International Movimentos Dance Prize. In 1997 he founded his own company, La Baraka.


Once again, recognition came quickly; numerous French venues programmed the young choreographer and he received proposals for collaboration. As a result, after 4 years as an associated artist at Bonlieu Scène Nationale in Annecy, since 2009 Abou Lagraa and his company have been hosted in production residency at Gémeaux Scène Nationale, Sceaux. The fame of the company spread rapidly beyond France's borders and tours followed one after the other, throughout Europe and also in the United States, Algeria, Tunisia and Indonesia… Alongside his work with the company, Abou Lagraa is regularly in demand by large organisations.

In 2001 he devised Fly, Fly for the CCN Ballet de Lorraine. This piece later was subsequently added to the repertoire of the ABC Dance Company of St Pölten in Austria.


In 2003 he devised a work for the second-year students of the Centre National de Danse Contemporaine, Angers, then in 2007 for the pupils of the Frankfurt Hochschule and the pupils of the Centre Méditerranéen de Danse Contemporaine, Tunis.

In 2006 his work entered the repertoire of the Paris Opéra Ballet with Le Souffle du Temps, a piece for 21 dancers, including 3 étoiles (Marie-Agnès Gillot, Manuel Legris, Wilfried Romoli). Then, in 2008, he composed Everyone's One at the invitation of Ballet Memphis (USA).


Since 2009, in association with the Algerian Ministry of Culture and th Algerian Agency for the Cultural Brilliance, he works, with Nawal Aït Benalla-Lagraa, in the elaboration of a “Mediterranean Cultural Bridge", the project of French-Algerian cooperation for the development of the dance and the artistic exchanges which will contain a program of Training and creation. In this frame, he sees confiding for July, 2009, the choreography of Closing ceremony of the 2nd Pan-African Festival of Algiers. In 2010, he creates the Ballet Contemporain d'Alger, under the Nawal Aït Benalla-Lagraa's educational responsibility, with a first piece NYA. The success of which ends in several national and international tours.


This piece was to be distinguished in 2011 when it was awarded the Grand Prix de la Critique as “Best Choreography of the Year”.

In 2016, he becomes the « Dream up » ambassador, an international arts-based education programme set up by the BNP Paribas foundation. This programme will help some 30,000 underprivileged or disabled children and teenagers to develop and find fulfilment by practising an artistic or creative activity. 


In 2016, he becomes “Chevalier des arts et des lettres” nominated by the French ministry of culture. 


Source : Cie La Baraka


More information : https://www.aboulagraa.fr/ 

Cutting Flat

Choreography : Abou Lagraa

Interpretation : Séverine Allarousse, Kevin Bruneel, Hafiz Dhaou, Amala Dianor, David Drouard, Ivan Fatjo, Chloé Hernandez, Leïla Pasquier, Aurélia Picot, Sandra Savin Musique Eric Aldéa

Video conception : Charles Picq

Lights : Franck Besson, Gérard Garchey

Costumes : Michelle Amet, Caroline Audrain

Sound : Béranger Mank

Production / Coproduction of the choreographic work : Compagnie La Baraka, Bonlieu Scène Nationale d'Annecy, Théâtre National de Chaillot, la Coursive Scène Nationale de La Rochelle, le Centre National de Danse Contemporaine-Angers

Duration : 70'

Our videos suggestions
02:55

Relâche

  • Add to playlist
03:04

Lobby

Zebiri, Moncef (France)

  • Add to playlist
44:45

Blas Payri - Tres visiones de Santa Teresa de Avila

  • Add to playlist
15:34

Cinderella

Malandain, Thierry (France)

  • Add to playlist
03:28

Kaz Bourbon - focus

Bulin, Nadjani (Reunion)

  • Add to playlist
03:58

Impair - focus

Brabant, Jérôme (Reunion)

  • Add to playlist
14:31

DéBaTailles [transmission 2015]

Plassard, Denis (France)

  • Add to playlist
53:18

Ariadne Mikou - architecture in disappearance

  • Add to playlist
24:23

Triton (audiodescription)

  • Add to playlist
08:49

L'Atomurbin

  • Add to playlist
03:38

Crushing Weight

Sarmiento, Irupé (Brazil)

  • Add to playlist
18:51

Danses Macabres 5

  • Add to playlist
19:02

Danses Macabres 4

  • Add to playlist
18:41

Danses Macabres 3

  • Add to playlist
19:18

Danses Macabres 2

  • Add to playlist
19:08

Danses Macabres 1

  • Add to playlist
04:00

Tschägg

Eidenbenz, Lucie (France)

  • Add to playlist
01:37:56

Steppe

Carlson, Carolyn (France)

  • Add to playlist
59:29

Double Vision

Carlson, Carolyn (France)

  • Add to playlist
04:52

Commedia

Carlson, Carolyn (France)

  • Add to playlist
Our themas suggestions

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

Pantomimes

Presentation of Pantomimes in the different types of dance.

Parcours

fr/en/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/

A Numeridanse Story

Exposition virtuelle

fr/en/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

Charles Picq, dance director

Exposition virtuelle

fr/en/

A Rite of Passage

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.

Webdoc

fr/en/

Write the movement

A myriad of methods have been invented for analysing dance and putting it into perspective and for accompanying the ‘tool’ that is essential to its memory, the dancer’s body. This webdoc presents the challenges of movement notation.

Webdoc

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more