What can we see from our dance ?
Each dancer holds a camera on his head and records the world that surrounds him while dancing ; a third camera shoots the duo.
For each season, a new landscape which drives dance to new experiences.
Subjectivity and voyeurism : through dance, this film lets us be ubiquitous.
A poetic vision of our inner rythm, where landscapes mix with dancers intimity.

After imposing himself on the street hip-hop dance scene in the 80’s, Yann Lheureux received the “1st international solo prize” (Turin and Béthune) in 1987 and 1988 during the “Rencontres Chorégraphiques” organised by the Fédération française de danse.  From 1990, he worked with companies directed by Didier Théron, Philippe Saire and Hervé Diasnas… until 1994, when he created his own company. 

His nomadic childhood existence, between sub-Saharan Africa, Germany and France led him to intuitively develop his artistic research into the links between identity and place. These questionings intensified from 2003, when the Company took up residence in the Atelier, in the centre of Montpellier. The issues of rootedness, of belonging, of fleeing, and of integration in a place, became the cornerstones of his artistic researches.  Yann Lheureux experimented, in show after show, with questions about ‘here’ and ‘elsewhere’. He made numerous pieces, performed in France as well as abroad, in theatres and urban spaces, where dance meets other forms of writing, other media, and other approaches (video, multi-media, urban arts…).

Starting with « Flagrant délit » (created in 2012) and in projects through till 2017, Yann Lheureux is depicting the intimacy of the human being through a series of portraits. This work was initiated by « FLAG » (created in 2012-2014), and will continue using women (The Rare Birds, created in 2015-2017). The project consists of choreographic sequences based on notions of force, achievement and fragility. It explores how to reveal and show these facets of identity on stage and in the public arena.

The two projects in development, « Gravity.0 » (2016) and « Red Circle » (2017), mark a transition from the intimate human figure to that of the group. They demand new forms of dramaturgy wherein Yann Lheureux will explore innovative relationships between the artists and the audience.

Yann Lheureux  has a diploma in Body Mind Centering (Amberst / USA), and has led a diversity of pedagogical projects: workshops subsidised by AFDAS, dancer training for various national centres of choreography, international teaching programmes (United States, Tunisia, South Korea…). 

Source: Cie Yann Lheureux 's website

More information : cie-yannlheureux.com

She dances almost every day from 4 to 20 years old, then discovers at the CNDC (Centre National de Danse Contemporaine) that movement can take place other than by dancing. She then followed a master's degree in cinema, particularly motivated by video dances. It is moving towards the production of documentary films and recordings of live shows mainly oriented towards contemporary dance for many production companies. As advisor, then columnist and director, she participated in the birth and development of Numeridanse. She coordinates for the ACCN and the Ministry of Culture, delegation to dance, the digitization of French choreographic heritage and created the site 30ansdanse.fr. She is in charge of the artistic direction and production of the "Histoires d’espaces" virtual reality collection for the Aix and Avignon Festivals, as well as the production of some of the episodes. She produces and co-directs with Yvan Schreck, Nous, la danse, a 52-minute documentary, which follows CNDC students for a year. She develops and produces in situ projects where performance poetizes everyday life, awakens creativity, highlights neighborhoods, architectures and reveals the movements of all.

Source: 24 images production