Sinfonia Eroica
2010 - Director : De Mey, Michèle Anne
Choreographer(s) : De Mey, Michèle Anne (Belgium)
Present in collection(s): Numeridanse , Charleroi danses [2005-2016]
Video producer : Charleroi Danses
Sinfonia Eroica
2010 - Director : De Mey, Michèle Anne
Choreographer(s) : De Mey, Michèle Anne (Belgium)
Present in collection(s): Numeridanse , Charleroi danses [2005-2016]
Video producer : Charleroi Danses
Sinfonia Eroïca
MICHÈLE ANNE DE MEY
For 2010 Michèle Anne De Mey has decided to return to the original configuration of this historical piece that toured the world: in other words, 7 dancers. And a totally new cast to make a new mark and give new impetus to what to this day remains one of the most exhilarating choreographic parables on love.
Casting 2010
Casting 2006
Casting 1990
Role reversal Jordi Casanovas, Kristin De Groot, Matteo Moles
De Mey, Michèle Anne
This has been a fantastic year for her. Kiss & Cry, an original stage object summoning up object theatre, music, words and nanochoreographies for four hands and dealing with the memory of feelings of love, has won unanimous international acclaim. People have emerged from the show overwhelmed and talking about their own emotional stories. She and Jaco Van Dormael have created it with a group of artists, making it a very personal experience since feelings of love, this thread running through her work, are in a way sublimated here: the film-maker is none other than her partner. Powerful music, telling of the affair from its fickle beginnings to the final split, is another constant in her work and woven into her choreographic universe: Beethoven’s 3rd Symphony in Sinfonia Eroica, the 7th in Neige and the Lamento d’Arianna in her latest piece, a solo she is creating specially for one of her faithful performers. All in all another declaration of love.
De Mey, Michèle Anne
Sinfonia Eroïca
Choreography : Michèle Anne De Mey
Choreography assistance : Grégory Grosjean, Gabriella Iacono
Interpretation : Gabriella Iacono, Adrien Le Quinquis, Kyung Hee Woo, Lief Federico Firnhaber, Thi-mai Nguyen, Gala Moody, Benoît Armange
Set design : Michel Thuns
Additionnal music : W.A. Mozart (ouverture de Bastien und Bastienne) / Ludwig Von Beethoven (Symphonie L'Héroïque, contredanse n°7, Eroïca, variations) / Jimi Hendrix
Lights : Simon Siegmann
Costumes : Isabelle Lhoas, Frédéric Denis
Production / Coproduction of the choreographic work : Charleroi Danses, Centre chorégraphique de la Fédération Wallonie-Bruxelles
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Amala Dianor: dance to let people see
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
James Carlès
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Maison de la danse
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Dance and percussion
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
“Dansons Maintenant”! A contemporary dance festival in Benin
EIVV 2022 Dancing with the editing
Why do I dance ?
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.