Skip to main content
Back to search
  • Add to playlist

Danzaora

Flamenco is a language. In Spanish, singer translates as « cantante ». But in flamenca language, the accurate term is « cantaor ». Similarly, the Spanish word for dancer is « bailarina ». But in flamenco land, the word used is « bailaora », as if it was about something else than songs and dance. That’s how the practice goes. Part of the mystery lies in the title she chose for the show: Danzaora; Rocío Molina breaks the rules by making up a word, a modern and unstable disorder, probably a reflection of her artistic personality. That’s just like Rocío: she knows about all the traditional references and transmutes them. And so, Danzaora, is more than a dance show. It is a clever experiment with the occupation of time and space. The power of her dance points to a bright way forward for this art form. And that future is now being modelled in her alchemist’s workshop where this multi-awarded gifted artist, born on stage, day in and day out, shapes one of flamenco’s major destinies of this early 21st century.

Credits

Idée originale et chorégraphie Rocío Molina 
Conseiller dramaturgie Roberto Fratini 
Danse Rocío Molina
Guitare Eduardo Trassierra 
Chant et alto mandoline José Angel « Carmona »
Palmas et compás Karolina la Negra, José Manuel Ramos « El Oruco »
Direction musicale Rosario « La Tremendita », Rocío Molina 
Musique originale Eduardo Trassierra 
Conseillère chants et arrangements Rosario « La Tremendita » 
Conseiller percussion Álvaro Garrido
Lumières Rubén Camacho 
Costumes Mai Canto 
Accessoires Israel Romero 
Régie Gloria Medina 
Son Javier Alvarez 
Lumières Antonio Serrano

Production Clara Castro
Production Compañía Rocío Molina 
Avec le soutien du Ministerio de cultura de España et du Gobierno de España

Molina, Rocío

The iconoclastic choreographer Rocío Molina has coined her own artistic language based on a reinvented traditional flamenco style which respects its essence, but embraces the avant-garde. Radically free, she combines in her works: technical virtuosity, contemporary research and conceptual risk. Unafraid to forge alliances with other disciplines and artists, her choreographies are unique scenic events based on ideas and cultural forms ranging from cinema to literature, including philosophy and painting. Rocío Molina, a restless dancer, was born in Malaga in 1984. She started to dance at the early age of three years old. At seven, she was outlining her first choreographies. At 17, she graduated with honors at the Royal Dance Conservatory in Madrid and became part of the cast of professionals companies with international tours.


At 22, she premiered « Entre paredes » (Among the Walls), her first work, which was followed by many more self-creations, all of them with a thing in common, a curious and transgressor look at a flamenco style escaping from the well-trodden paths: « El Eterno Retorno » (The Eternal Return, 2006) « Turquesa como el limón » (Turquoise as a Lemon, 2006), « Almario » (2007), « Por el decir de la gente » (As People Say, 2007), « Oro viejo » (Old Gold, 2008), « Cuando las piedras vuelen » (When Stones Fly,2009), « Vinática » (2010), « Danzaora y vinática » (2011), « Afectos » (Affections) (2012) and « Bosque Ardora » (Ardora’s Forest,2014).


She’s been associated with the Chaillot National Theater in Paris since 2015. She presents two impulsos or public improvisations in the Grand Foyer of Chaillot. In November 2016, she created in Chaillot "Caída del Cielo". The Chaillot National Theater ’s audience discovered Rocío Molina in 2008 with « Mujeres », the following year with « Cuando Las Piedras Vuelen » and then in 2013 with the solo « Danzaora » at the first Biennale of flamenco art. In March 2015, during the second edition of this festival, she dances alongside the hip hop dancer Honji Wang in Sébastien Ramirez's « Fealhikum » show and reinterpret her show « Bosque Ardora », created in Seville a few months ago.


Rocío Molina, a versatile dancer, is one of the Spanish artists with greater international repercussion. Her works have been performed not only in theaters and festivals such as Sadler’s Wells Theatre, but also in renowned temples of flamenco such as Seville’s Flamenco Biennial. Throughout her career, not only has she worked with great national flamenco leading figures such as: María Pagés, Miguel Poveda, Chano Lobato, Pastora Galván, Manuel Liñán, Belén López, Manuela Carrasco, Antonio Canales or Israel Galván, but also with leading figures of contemporary performing arts, such as Carlos Marquerie, Mateo Feijóo or Sebastién Ramírez.


Source : Rocio Molina's website


More information : rociomolina.net

Riolon, Luc

After studies of mathematics preparatory class and medecine studies, Luc Riolon begins to make films within the framework of his Faculty of Medicine, then met the famous choreographers of the 80s (Maguy Marin, Mark Tompkins, Josef Nadj, Daniel Larrieu Daniel, Odile Duboc, Josette Baiz, Angelin Prljocaj, etc.) with whom he shoots numerous films (re-creation for the camera, the illegal securements). In the 80s with the American choreographer Mark Tompkins he introduces the video on the stage, broadcasting live on big screens the images which he shoots with his camera by being on the stage with the dancers, mixing live images and pre-recorded images. With Daniel Larrieu he participates in the creation of the famous show WATERPROOF, the contemporary choreography which takes place in a swimming pool, by filming live) the dancers dancing in the water and mixing the live images with pre-recorded underwater images. This choreography has been shown in many countries (USA, Canada, Spain, England…)
Then he collaborates during 10 years with the famous french TV producer Eve Ruggieri for her programs" Musics in the heart ". He shoots with her of numerous documentaries about classical music, opera singers and dance. From 1999 he directs documentaries of scientific popularization, by following researchers attached to the resolution of a particular ecologic enigma. These two artistic and scientific domains which can seem separated are nevertheless, for Luc Riolon, connected by the same approach : the deep desire to understand the world, by the art or by the scientific research, and to restore it to the largest number. Among his recent scientific documentaries, we can quote for example " The Enigma of the Black Caiman ", Living and dying in the swamp " or " The Nile delta: The end of the miracle ". “Chernobyl, a natural history ? “ These documentaries of scientific popularization recently have been awarded in international festivals.


Source: Vimeo

Danzaora

Choreography : Rocío Molina

Interpretation : Rocío Molina

Original music : Eduardo Trassierra

Live music : Guitare Eduardo Trassierra.

Additionnal music : Chant et alto mandoline José Angel « Carmona » Palmas et compás Karolina la Negra, José Manuel Ramos « El Oruco »

Lights : Rubén Camacho, Antonio Serrano

Costumes : Mai Canto

Other collaborations : Conseiller dramaturgie Roberto Fratini. Direction musicale Rosario « La Tremendita », Rocío Molina. Conseillère chants et arrangements Rosario « La Tremendita ». Conseiller percussion Álvaro Garrido. Accessoires Israel Romero. Régie Gloria Medina Son Javier Alvarez

Production / Coproduction of the choreographic work : Compañía Rocío Molina. Clara Castro. Avec le soutien du Ministerio de cultura de España et du Gobierno de España

Our videos suggestions
01:46

Grand Finale

Shechter, Hofesh (United Kingdom)

  • Add to playlist
02:48

Questcequetudeviens ?

Bory, Aurélien (France)

  • Add to playlist
03:07

Skin

Tchouda, Bouba Landrille (France)

  • Add to playlist
06:24

Colin Dunne & eRikm Project

Dunne, Colin (France)

  • Add to playlist
48:04

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
02:13

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
03:37

Couleurs de femmes

Chane, Yun (Reunion)

  • Add to playlist
03:58

Kafrine - focus

Bulin, Nadjani (Reunion)

  • Add to playlist
00:00:30

Didier Labbé Quartet - DCN 2013

  • Add to playlist
14:18

Sehnsucht [transmission 2015]

Waehner, Karin (France)

  • Add to playlist
20:40

Gueule de loup [transmission 2015]

Bastin, Christine (France)

  • Add to playlist
02:34

Snakeskins

Lachambre, Benoît (Canada)

  • Add to playlist
11:59

Feathers of La Fronde

Barua, Natalia (United Kingdom)

  • Add to playlist
03:32

BGirls

  • Add to playlist
03:04

BGirls

  • Add to playlist
06:39

Dans les plis du paysage : Création à la Maison

  • Add to playlist
47:49

Hurry Up !

Bouvier, Joëlle (France)

  • Add to playlist
01:07:15

Blue Lady

Carlson, Carolyn (Italy)

  • Add to playlist
28:55

Carolyn Carslon, A Woman of Many Faces

Carlson, Carolyn (France)

  • Add to playlist
10:54

Carolyn Carlson et Michel Portal

Carlson, Carolyn (France)

  • Add to playlist
Our themas suggestions

Yield Variations on dissuasive urban furniture

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times


Parcours

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

James Carlès

Exposition virtuelle

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Butoh

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Dance in Quebec: Untamed Bodies

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Parcours

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

Improvisation

 Discovery of improvisation’s specificities in dance. 

Parcours

fr/en/

Dance and music

The relationship between music and choreographic works varies throught dance history.

Parcours

fr/en/

The American origins of modern dance: [1930-1950] from the expressive to the abstract

Parcours

fr/en/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more